Here's another one of those sorts of things that you just can't find anywhere else (and I looked). After STAR WARS, every big movie seemed to have their own book-and-record, read-along condensed version for kids, but there could also be the long-playing version that skipped the book and the need to "turn the page when you hear this sound." This grown-up version used audio from the actual film, too.
This is the latter version, and in place of turning the page, it actually has new audio recorded by Lorne Greene as narration...which is actually strange, because he is often referring to his own character, which makes for some weird moments where Adama sound like he's speaking of himself in the third person.
This album walks through the initial movie that launched the TV series, in 49 minutes, and it's pretty well-done. It made me want to go back and watch it again, so it must have been doing something right.
Another interesting facet of this production is how it forced me to honestly evaluate the series as an adult, rather than when I was young and undiscerning: is it a shameless STAR WARS ripoff? Back in the day, kids did not sit around on the playground and complain that Glen Larson was ripping George Lucas off. Instead, we were thrilled to have new space fantasy to devour, while we waited for THE EMPIRE STRIKES BACK.
Now, however, I can more clearly see some of the reasons George was upset. After all, some of his own people worked on it, and there are some issues and similarities, of course (suddenly we had another space "Saga"). I read that Lucas issued a laundry list of demans, including vehemently insisting the blasters "fire no beams," which explains why they always lit up at the ends. I am not sure how he could really claim a copyright on that, but whatever. In retrospect, Apollo and Starbuck are sort of two Han Solos, and if it were up to me, I would've dialed the music down quite a bit; it's one of the most obviously-borrowed items because it is just so bombastic. You do have rebels--in a sense--and enemy soldiers that all look alike, which they at least made into robots (before Lucas did, come to think of it). And then there are the dogfights, which are hard to defend in their similarity...again, the same folks worked on them, after all.
But there are lots of great original things to praise the series for as well. The cast is great; the designs are amazing (did I mention Ralph McQuarrie worked on the ships?), from the vehicles to the uniforms. The Cylons are incredible in every way, from appearance to their all-important unique sound. In the film, the Ovion insect people are a stroke of genius, and the writers invented a casino planet long before the Mouse ever stole the idea and wasted it.
I could go on, but I believe that the series has earned its place in history, and should stand as its own thing. Unfortunately, it succumbed to what I call the Curse of Television. Namely, a television series does not usually benefit from the luxury of having a beginning, middle, and definite ending. Instead, a series tries to last as long as it is allowed, and eventually, funding is cut long before anyone can envision a proper ending to the story, or a way to pull it off, and the show is cancelled. It's been a problem for literal decades.
.................and then, GALACTICA 1980 happened instead. The less said, the better.
One more thing, and this is hilarious--notice on the front cover of the album, despite all of the available artwork from the show, somebody thought it would be a good idea to swipe the MATTEL 12-INCH ACTION FIGURE ARTWORK for their painting. After all, Cylons probably look exactly like that, right? With the huge chest light and plastic gun beam...and giant backpack push-button sticking up? It would be a lot of trouble to go watch the show, or ask for more reference photos, right?
LINK: SAGA OF BATTLESTAR GALACTICA (1979)
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