| I really like the illustration of the Fly child, with Fly doll (with Mouse pants, even). |
| I really like the illustration of the Fly child, with Fly doll (with Mouse pants, even). |
GEE, OUR 1st ALBUM was primarily for sale at the counter of the restaurants, beginning in 1982. I have even seen reports of a child receiving it as their birthday record (when you had your birthday party at Showbiz Pizza, you were given a record, but it was usually one of the 45rpm birthday singles). And that was basically the only way to get it.
| The old "click the target" (if moving) or "break one of the eggs/packages/etc" ...older than dirt. |
Perhaps you've wondered what his height is? Well, now it can be told that he is 4 feet 11 inches, thanks to a series of six special anniversary cards that were printed on vintage-style cereal boxes of the three flagship cereals (Cap'n Crunch, Crunch Berries, Peanut Butter Crunch) way back in 2010! Each box contained two cards that celebrated the original characters, most of whom are seldom seen today. Characters like his original enemy, Jean LaFoote, who was around stealing cereal long before the Soggies that I remember from childhood.
| Apparently "Punch Crunch" was made to taste like fruit punch? Say what? |
In the 1960's, though, that was sort of the mindset (let's face it: probably because of cartoons and sitcoms). And, there was money to be made off of this mindset...and, strangely, it wasn't to be made by health care professionals, but by record companies! Why pay doctors or therapists when you can just hypnotize yourself? (Movies taught me that all you need is a spinning, swirly disc anyhow. And why would they lie? See SHERLOCK HOLMES AND THE WOMAN IN GREEN for just one example of this.)
In that decade, a flood of self-hypnosis recordings hit the market. Some were sold in stores, but it seemed like many more had to be purchased from the backs of magazines, which I suppose provided a layer of protection for the sellers. As a result, these are pretty rare today. I pick these things up anytime I actually run across one, for two reasons:
1) They are usually completely bonkers, andToday we will look at a small clutch of these rare, yet not super-valuable, in the scheme of things, records. In no particular order:
Dr. Michael Dean's Hypnosis and Self-Hypnosis Record (Revere, 1964). I just recently found a copy of this record, but I've had it for years, courtesy somebody's blog that's not around anymore. This one is a hoot, and provides several good opportunities for sample fodder, which I have directly taken advantage of.
Dr. Aram Azadian - Self-Relaxation/Hypnosis for Deep Relaxation (Fresno Improvement Center, no year given). This is a prize find of mine. It came in a plain white sleeve, but contained a treasure trove of original paperwork! (Note, no ZIP code, which probably places it before 1963.) Looking this doctor's name up on Discogs reveals an interesting fact; his releases seem to be custom-pressed, as in, there are different combinations of sides found in the database. I suppose you could mix and match. "I need to stop biting my nails, but also hypnotize others, please." The first side actually sounds like Stan Freberg's Lawrence Welk parody, I kid you not.
Hypnotic Record (unknown). This is probably the oldest record in this group; nothing is known about it other than it was purely mail-order, and was an "unbreakable" 78. Also, it would've included "Eye Fixation Spots," which I'm sorry we don't have. Both short sides are spoken over a "metronome" accompaniment, which is...bizarre.
Joseph Lampl - The Record Way to Stop Smoking (Living Record Library, 1964). Another find of mine; pretty much a sham, the two sides of this record hardly add up to 18 minutes. If I smoked, I'd start again just to spite this record.WARNING: Listener beware of the somnolent tones included herein...I probably wouldn't recommend listening to these while driving, although that's exactly what I did most of the time...come to think of it, I did end up in completely different state one day, with no idea how I got there, and a better, more positive outlook on life. Also, I no longer wanted to smoke. Huh.
For lots of kids, this was their first Godzilla toy, and/or even their introduction to Godzilla. Technically, it's a "rack toy," a rubber monster with bendy wires inside to give it some posability, but can also count as an action figure (still a pretty new concept at that time): it's even packaged in a bubble, on a card very close to the size of a Kenner Star Wars figure. The "rack toy" status is revealed though, when you discover the back of the card is completely blank!
Speaking of the backing card, above is a good scan of one. This one comes from an early example I owned that included the original bubble, and I was able to restore it a few years back to its natural glory (and sell it as recarded of course). I had a custom-made acrylic case built for my personal carded example, which was a good thing because apparently the prices for custom cases have gone through the roof in the last year:
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| Kids! All your favorites are on KID STUFF! Such as "Nancy" and.......the Space Shuttle Columbia. Also, "Marmaduke." No kid ever liked Marmaduke. |
Chevrolet "T-O-P" stood for "Trained Organization Program," and apparently somebody was dead set on having TOP as an acronym, because that doesn't make much grammatical sense. They began producing filmstrip/record combinations through Jam Handy for training purposes in the 1950's (the earliest on Discogs are from 1955), and ran for several years (both examples here are from 1961). I am guessing this was a monthly or bi-monthly thing, and that regular sales meetings after work consisted of watching them, lots of smoking, and then discussing thought-provoking, pre- supplied questions, just like school all over again (without so much smoking). For one of our examples, we are lucky enough to have existing copies of both the script for the Meeting Leader, as well as a copy of the "Review Book" that was handed out to salesmen (both scanned and included here). It was all this pristine paperwork (including six copies of the review books!) that really made me buy these records.
So here's what you get: In "Best Foot Forward," a narrator tells us that this horseless carriage thing is probably going to work out, and that if you are a used car salesman, you should lie a lot always tell the customer lots of useful facts, and remind them how clean the car is. If they ask questions, tell them the car is incredibly clean. In "Stranger in Town," which is the disc that includes all the swell paperwork, a folksy, James Arness-sounding narrator reminds us that there are two kinds of people: strangers we don't know, and people who have moved to town (or something like that). Also, you can actually get new customers by not screwing up, doing things on time, and completely butting into people's personal affairs by telling them exactly how they should spend their day while you fix their cars. For some reason, they also blatantly tell you to find as many things wrong with their cars as possible, in order to maximize profit. Huh. One thing that struck me--in light of the year we live in--was the story of how the entire repair shop should do backwards cartwheels in order to obtain parts to fix a car in the same day, making sure a rare motor was "on the 1:00 bus" so that it would be ready. That one made me laugh out loud.
These are fun to listen to, either for useful samples, nostalgia, or just a crash-course in the then-new philosophy of Customer Service. It's amazing to think that entire industries have built up around teaching this concept, and they all boil down to keeping your word, not screwing up, and not overcharging people. It's really that simple, and yet I can't think of any large, brand-name companies that I deal with, or use their products, that I would use as shining examples of the art. Something about the "human" part of "human nature" means it goes south every time, I guess. Enjoy!
LINK: "Best Foot Forward" and "Stranger In Town"
Scans included with download, but here's both sides of the Meeting Script, just for completeness: